front cover of The Long 2020
The Long 2020
Richard Grusin
University of Minnesota Press, 2022

Sharply intelligent, often personal reflections on the global crises of 2020 that are still ongoing

By all accounts, 2020 was the longest year in recent memory, as people in the United States and across the globe careened from one unfolding catastrophe to another. The consequences of this devastating year are sure to impact the planet for decades, if not centuries, to come. This collection considers the question of that long 2020 from the perspective of the lived experience of the year, its long and deep roots in various human and nonhuman pasts, and the transformation of our sense of the future.

The Long 2020 assembles a strikingly interdisciplinary group of scholars and thinkers to address how the many crises of 2020—epidemiological, political, ecological, and social—have unfolded, examining both their origins as well as their ongoing effects. The contributors address questions of time, history, and scale as they have played out, and continue to play out; the relationship between home and environment, with a focus on architecture, breathing, and human–nonhuman relations; and the experience of cultural, political, and social life, deploying cultural and political theory to explore questions of race, gender and sexuality, and democracy.

The global pandemic has still not abated, reflecting the need to rethink our interrelatedness to viruses and other species. In bringing together this diverse group of authors, The Long 2020 offers a variety of perspectives on the impacts of that fraught year, the effects of which continue to permeate daily life.

Contributors: Stacy Alaimo, U of Oregon; Elisabeth Anker, George Washington U; Janelle Baker, Athabasca U, Alberta, Canada; Daniel A. Barber, U of Pennsylvania Weitzman School of Design; Adia Benton, Northwestern U; Levi R. Bryant, Collin College; Beatriz Colomina, Princeton U; William E. Connolly, Johns Hopkins U; Cary Gabriel Costello, U of Wisconsin–Milwaukee; Megan Craig, Stony Brook U; Wai Chee Dimock, Harvard U; Paulla Ebron, Stanford U; Nirmala Erevelles, U of Alabama; Roderick A. Ferguson, Yale U; Rosa E. Ficek, U of Puerto Rico at Cayey; Stefanie Fishel, U of the Sunshine Coast in Queensland; Jonathan Flatley, Wayne State U; Jennifer Gabrys, U of Cambridge;  David Gissen, Parsons School of Design and the New School, New York; Dehlia Hannah, The Royal Danish Academy of Fine Arts; Karen Ho, U of Minnesota; Bonnie Honig, Brown U; Frédéric Keck, Laboratory of Social Anthropology (CNRS Paris); Eben Kirksey, Deakin Institute in Melbourne, Australia; Bernard C. Perley, U of British Columbia, Vancouver; Tom Rademacher; Renya Ramirez, U of California, Santa Cruz; Zoe Todd (Métis); Anna Tsing, U of California, Santa Cruz; Sarah E. Vaughn, U of California, Berkeley; Rebecca Wanzo, Washington U; McKenzie Wark, Eugene Lang College, New York City.

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front cover of The Other Side of Grief
The Other Side of Grief
The Home Front and the Aftermath in American Narratives of the Vietnam War
Maureen Ryan
University of Massachusetts Press, 2008
The lingering aftereffects of the Vietnam War resonate to this day throughout American society: in foreign policy, in attitudes about the military and war generally, and in the contemporary lives of members of the so-called baby boom generation who came of age during the 1960s and early 1970s. While the best-known personal accounts of the war tend to center on the experience of combat, Maureen Ryan's The Other Side of Grief examines the often overlooked narratives—novels, short stories, memoirs, and films—that document the war's impact on the home front.

In analyzing the accounts of Vietnam veterans, women as well as men, Ryan focuses on the process of readjustment, on how the war continued to insinuate itself into their lives, their families, and their communities long after they returned home. She looks at the writings of women whose husbands, lovers, brothers, and sons served in Vietnam and whose own lives were transformed as a result. She also appraises the experiences of the POWs who came to be embraced as the war's only heroes; the ordeal of Vietnamese refugees who fled their "American War" to new lives in the United States; and the influential movement created by those who committed themselves to protesting the war.

The end result of Ryan's investigations is a cogent synthesis of the vast narrative literature generated by the Vietnam War and its aftermath. Together those stories powerfully demonstrate how deeply the legacies of the war penetrated American culture and continue to reverberate still.
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